147.0 x 114.0 cm - oil, canvas signed on the left: 1989 | E. DWURNIK
signed on the reverse on canvas: m. g.: 1341 [in frame], p.g.: 1989 | E. DWURNIK | NO.: IX. 388 - | 1341 [in frame] | DZIERŻONIÓW
l.g.: traces of export stamps
Image described:
- Dwurnik. Inventory of painting cycles, compiled by. Pola Dwurnik, Zachęta Gallery, Warsaw 2001, p. nlb. As part of cycle IX, cat. 388.
Edward Dwurnik spoke about his vedutas, among others, in a conversation with Kazimierz Sobolewski (Edward Dwurnik, conversation with the artist, Kurier Polski, November 13, 1994): I use either photographs taken from an airplane or Adam Bujak's wonderful albums. I also collect postcards and plans. The only difficulty for me is to include as much characteristic architecture as possible in one picture. I choose cities with interesting architecture, with an old, often medieval, urban layout. Great in this regard is Paczków. Or Carcassone.
In a painting from 1989. Dwurnik depicts Dzierżoniów, a town located in Lower Silesia, on the Pilawa River, founded in the 13th century. The artist painted a fragment of the town with the dominant building of the Town Hall and its characteristic tower. Also partially visible in the painting is Dzierżoniów's Market Square, where - as often in Dwurnik's work - various representatives of the community meet: from demonstrators with flags, through a cattleman and a prostitute, to - lurking in the shadows - Zomniks with truncheons. The whole thing is shot in Dwurnik's characteristic bird's-eye view, in a concentration of various forms of architecture and figures.
♣ to the auctioned price, in addition to other costs, will be added a fee resulting from the right of the artist and his heirs to receive remuneration in accordance with the Act of February 4, 1994 - on Copyright and Related Rights (droit de suite)
Edward Dwurnik (Radzymin 19 IV 1943 - Warsaw 28 X 2018) studied painting at the Academy of Fine Arts in Warsaw (1963-1970), but cites Nikifor as his "master." It was his works, seen for the first time in 1965, that inspired the then third-year student to draw the first works of the "Hitchhiking Journeys" series, which he continued in the following years. In 1972-1978 was created the series "Sportsmen", which portrayed, add bitingly, typical figures of the 1970s. In parallel, from 1975 was created the series "Workers", which culminated in the period of "Solidarity" 1980-1981. For works from this series Dwurnik received the 1981 Art Criticism Award of Cyprian Kamil Norwid. Cyprian Kamil Norwid Art Criticism Award, while for his paintings from the series "Warsaw" (1981), prophetically foreshadowing martial law - he received the Cultural Award of the "Solidarity" underground in 1983. In the 1980s Dwurnik's painting took on expressive and dramatic expression. The paintings created in this decade often had a political overtone, they also took on a historical costume, in one way or another referring to contemporary issues and realities. The series "Road to the East" (1989-91) commemorated the victims of Stalinism, while the series "From December to June" (1990-94) - the victims of martial law. Both the ideological and purely painterly qualities of these works brought the artist great recognition, both at home and abroad. Its expression was the prestigious award of the Coutts & Co Foundation in Zurich (1992). In the 1990s, series are created as a continuation of "Hitchhiking Journeys": "Blue Cities" (from 1993) and "Diagonals" (from 1996), as well as compositions of a new type, such as sea views (the "Blue" series, 1992-93) and the "Enumeration" series (1996-99). The artist has exhibited extensively, has had about 100 solo exhibitions in Poland and abroad, and has participated in numerous national and international exhibitions and festivals, including: the 10th Biennale of Contemporary Art, Menton 1974, Documenta 7, Kassel 1982, the 5th Biennale, Sydney 1985, the 19th Art Biennale, Sao Paulo 1987; the Olympics of Art, Seoul 1988. In parallel with painting, he practiced drawing, collage, printmaking (lithography, metal techniques, xerography, stamps) and applied graphics (illustration, posters for his own solo exhibitions).
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