Henry Hayden, LA MARNE Á LA FERTÉ, 1959.

60.0 x 73.0cm - oil, canvas signed p.d.: Hayden | 59

On the crossbar of the loom stickers:

- fragment of a collector's sticker (crayon): Am

- BERNHEIM-JEUNE | 83, Rue de Faubourg St.-Honoré et 27, Avenue Matignon, PARIS (VIIIe) | Exposition "Au fil de l'eau..." | 7 Novembre 1961 - 17 Février 1962

- No. 19

- GALLERIE LE GRIFFON | LYON;

- circular (pen): 1003;

- between stickers: 6500 F (blurred); customs stamp at bottom (repeated twice on canvas);

- on left and upper strip (marker, pen): numbers and dimensions.



Provenance: Galerie Le Griffon, Lyon.



Image exhibited:

- Au fil de l'eau..., Galerie Bernheim-Jeune, Paris, 7 XI 1961 - 17 II 1962, no. 19.



♣ A fee will be added to the auctioned price, in addition to other costs, based on the right of the artist and his heirs to receive remuneration in accordance with the Law of February 4, 1994 - on Copyright and Related Rights (droit de suite).

Henryk Hayden (Warsaw 1883 - Paris 1970) was one of the most prominent painters of Polish descent associated with the École de Paris community. He began his artistic studies at the Warsaw School of Fine Arts; in parallel he also studied at the Warsaw Polytechnic. In 1907 he left for Paris, where he still enrolled in the Académie "La Palette." Since 1908, he often traveled to Brittany, contacting W. Ślewiński there. After 1915, he became associated with the circle of the Parisian artistic avant-garde, including P. Picasso, J. Gris, G. Severini or H. Matisseem. In France he remained permanently. In 1920 he visited his family in Poland, but his ties with the country were quite loose - he only rarely sent paintings to exhibitions. On the other hand, he exhibited a lot in France; from 1909 he regularly took part in the Paris Salons, and also had solo exhibitions. During World War II he stayed in southern France, and it was then that his long-standing friendship with S. Beckett began. He painted landscapes, portraits and still lifes, initially showing connections with the paintings of Slevinsky, and later (1912-21) with the works of Cezanne and Cubism. After 1922, he created realistic portraits and landscapes; towards the end of his life, he returned to Cubist experience.