Dimensions: 35 x 27 cm
Signed p.d.: 'LEMPICKA'.
on the reverse a paper sticker with the description of the work from the Art-Mel Gallery in Paris
Origin
collection of Michel Georges-Michel, Paris, until 1961
Gallery Art-Mel, Paris
private collection, Paris, until 1996
Sotheby's auction house, London, November 2019
private collection, Warsaw
Exhibited
Tamara Lempicka a art déco, Villa la Fleur, Konstancin-Jeziorna, September 17, 2022 - March 12, 2023
Tamara Lempicka - a woman on a journey, National Museum in Lublin, March 18 - August 14, 2022
Literature
Tamara Lempicka a art déco. Tradition and Modernity, exhibition catalog, Villla la Fleur, Konstancin-Jeziorna, Warsaw 2022, cat. no. 68, p.169 (il.)
Tamara Lempicka - a woman on the move, exhibition catalog, National Museum in Lublin, Lublin 2022, p.45 (ill.)
Alain Blondel, Tamara de Lempicka. Catalogue raisonné 1921-1979, Lausanne 1999, cat. no. B.433 (also online)
Biography
Polish painter whose work is cited as the quintessence of the art deco style in painting. As a young, wealthy girl, she studied at a boarding school in Lausanne, from where she traveled to Italy - visiting Rome, Florence, Venice - where she became fascinated by the paintings of the Renaissance masters. During World War I she lived in St. Petersburg, where she married a young lawyer Tadeusz Lempicki. In 1918, the couple settled in Paris. Lempicka then began studying painting at the Academie de la Grand Chaumiere and at the Academie Ranson under Maurice Denis and Andrea Lothe. She exhibited her paintings in salons and Paris galleries. She painted mainly portraits and nudes, mainly of wealthy or beautiful people. In 1928, she visited Warsaw three times, with an exhibition of her works at Warsaw's Zachęta Gallery; she also showed her two paintings at the General National Exhibition in Poznań. In 1939 she moved to the United States and settled in New York, spending the last years of her life in Mexico. "Lempicka's portraits, nudes and still lifes are a perfect realization of the art deco style: the type, costume, hairstyle and posing of the model are all subordinated to it, as are all the background props and, finally, the manner of painting. Post-cubist stylization: emphasizing with drawing and light the three-dimensionality and hardness of forms, sharpness of color, smoothness of metallic, shiny surfaces, monumentalization, mannerism of shots and enamel precision of finishing make up Lempicka's style, perfectly in keeping with the aesthetics of the 1920s." - Agnieszka Morawińska
